Ouch. Calling the show "the most death-obsessed show to emerge from Sin City since 'CSI: Crime Scene Investigation,'" the reviewer was most disturbed by a ubiquitous troupe of dancing rabbits who apparently come bounding onstage whenever the show's pacing starts to slow and they are only there "to mug, break-dance or shriek high-pitched gibberish."
Dear lord.
While acknowledging the Cirque designers' excellent technical effects and Angel's success in pulling off impressive preschool birthday-party tricks like producing a bird out of his hand, the reviewer, plain and simple, says it's just far from being worth the $100 ticket.
And here's a nice juicy little tidbit:
According to an Oct. 12 Times story, Angel previously tried to launch a show on Broadway and at other casinos before Cirque stepped in as creative partner and MGM Mirage Resorts (the Luxor's parent company) stepped up with a reputed $100-million investment. Angel, for the record, retains top billing with "Believe" as "co-writer, illusions creator and designer, original concept creator and star."
Hmmm. More evidence that Luxor maybe made a $100 million mistake that some other hotels were smart enough to avoid, perhaps?
Check out the full LA Times review here, and maybe don't check out the show. Save your dolla-dolla bills for the slots.
[Photo: Meredith Caron / Cirque du Soleil via LAT]

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